Press
Lunar Tick, An hour long piece celebrating the passage of time
Limited Edition of 10, available through the Infinite Objects website.
Time is Clay
“The video print Lunar Tick is a sparkling portal through time and space. Allison Bagg recreates the tangible effects of an hourglass, where every second reveals a surprise.
“Turn your back on this one and you might see something new the next time you look ... Time is clay; go make something,” says Bagg.”
An excerpt from the article:
Over the years I have faced doubt, imposter syndrome and the witch wounds that arise as a facilitator. It has also been a big journey in grounding and discernment. I struggle with capitalism within the wellness space. This field itself is murky, and for lack of a better term, dangerous. It is also going through a major shift at the moment. Never before have so many people been open to holistic healing and exploring treatments and methodologies outside of western medicine, which is great. But because of this growing interest, there has also been an infiltration of other agendas in the space. I always encourage others to be very careful as to who and where they open to when it comes to wellness and energetics. An affirmation I typically try to infuse in my offerings is: you are your own healer. A practitioner should always remind you of your intrinsic magic, power, and gifts rather than make you feel reliant on them.
Some excerpts from the article:
What are the major themes you pursue in your work?
The main themes woven throughout my work are portals, outer space, the void, the hidden spaces beneath and between, psychedelics, rainbows, ritual and earth magic.
What is the best advice given to you as an artist?
I think the best advice I’ve received is to own calling myself an artist.I had a block around using this word to describe myself…
Read more here.
(Again!)
An excerpt from the article:
Allison, we’d love to hear your story and how you got to where you are today both personally and as an artist. I always had a visual eye, and as a child was very tactile, having to touch every fabric in clothing stores. In the summertime, I took photography camp and every art class under the sun. My mother was an artist who painted watercolor, and I would watch her paint in her makeshift studio in the garage.
She died when I was 17, and I suppose it took me quite a while to come to terms with the fact that I’m an artist like her….
Read more here.
Feature in Curatorial Vol.2
Featured in Silver Winner for Abstract Photography Art in Art Folio 2020